Cartão Madonna by Edvard Munch,symbolist painter

Madonna by Edvard Munch,symbolist painter Madonna is the usual title given to a composition by the Norwegian expressionist painter Edvard Munch. Munch painted several versions of the composition, showing a bare-breasted half-length female figure, between 1892 and 1895, using oils on canvas. He also produced versions in print form.[1] The version owned by the Munch Museum of Oslo was stolen in 2004 but recovered two years later. Two other versions are owned by the National Gallery of Norway and the Kunsthalle Hamburg. Another one is owned by businessman Nelson Blitz, and one was bought in 1999 by Steven A. Cohen. The lithographic print of the composition is distinguished by a decorative border depicting wriggling sperm, with a fetus-like figure in its bottom left corner. The 1893 version of the painting had a frame with similar decoration, but it was later removed and lost. The print also exists in a number of different versions. Munch's Madonna (1893-94), a femme fatale par excellence, visually hints at the imagery of victimization. The familiar gestures of surrender (the arm behind the head) and captivity (the arm behind the back, as if bound) are clearly if softly stated. These gestures have a long history in Western art.... Munch used it in his Madonna to mitigate his assertion of female power; the gesture of defeat subtly checks the dark, overpowering force of Woman. The same ambivalence can also be seen in the spatial relationship between the figure and the viewer: the woman can be read as rising upright before him or as lying beneath him.